Ready for Anything
For all the wedding videographers, drone camera operators, and multimedia journalists who have professional photo still and cinema video production needs, get ready for a new type of shooting experience with the EOS R5 C Mirrorless Cinema Camera from Canon. With a simple switch, the R5 C is a full featured still photo camera with all the settings of the R5 EOS mirrorless camera. When switched in the other direction, it becomes a full-frame 8K60 Cinema EOS camera that internally records 12-bit Cinema RAW Light footage. There's no more need to carry a second camera with you to your production when stills and video are available within a single compact design.
The R5 C enhances a number of features in comparison to its siblings the R5 and C70, including 4K120 recording, HDMI RAW output, Canon Log 3 HLG/PQ support, unlimited recording time, a timecode port, Dual Pixel CMOS AF with eye detection, an active cooling system, a high-power LP-E6NH battery, 13 reassignable buttons, and a multi-function shoe for XLR adapters. The camera also retains the reliable features of those cameras such as Wi-Fi/Bluetooth, footage compatibility with DaVinci Resolve and Canon apps, an electronic RF mount, CFexpress/SD card slots, a similar button layout, and more. The EOS R5 C is also moisture and dustproof to the same level as its cinema cousin, the EOS C70. And all this is packed into a tiny 1.7 lb body that is just asking to become your go-to drone camera.
Canon's 45MP full-frame CMOS imaging sensor is at the heart of the EOS R5 C camera's superb image quality, which also leads the way for impressive 8K60 RAW cinematic video shooting.
Video Control for the Dedicated Video Professional
As soon as the EOS R5 C's main switch is moved to the "video" position, the familiar Cinema EOS menu system and interface take over. Expected high-level video features such as waveform monitors, video codec options, and extensive audio control become available, greatly expanding the EOS R5 C's video potential for the experienced camera operator or video content creator. During "photo" operation, menus are nearly the same as they are on the EOS R5 camera.
Ergonomic EOS Design
The EOS R5 C camera's body design is incredibly compact and lightweight. When paired with a Canon RF lens (or EF lens using the Mount Adapter EF-EOS R), it offers outstanding performance that fits easily and comfortably in your hand, making handheld shooting a breeze whether shooting video or still images. Its electronic viewfinder is optically extended, for eye-level viewing similar to the conventional EOS R5 camera, and it uses the same ergonomic grip design.
CMOS Sensor and DIGIC X Processor
The 8K CMOS sensor and DIGIC X processor produce high-quality video at up to 8K60 resolution. Use of the Cinema RAW Light format with its high-efficiency mode enables internal card recording without an external recorder. The EOS R5 C camera supports HDR recording in Hybrid Log Gamma (HLG) and Perceptual Quantization (PQ) format, which helps ensure full color rendition and wide latitude with a great range from black to pure white, outstanding for the delivery of livestreams, broadcasts, and post-production projects.
8K60 RAW Recording
Cinema RAW Light in 8K is amazing for post-production grading and archiving, or MP4, which is optimized for faster online use. 5.9K in Super 35mm mode and 2.9K in Super 16mm mode are also available for internal recording to CFexpress cards. Cinema RAW Light video files have been optimized for better efficiency to achieve 12-bit recording in all frame rates. Thanks to three newly developed Cinema RAW Light modes (High-quality RAW HQ, standard-quality RAW ST, and Light recording RAW LT), users can select the RAW video mode according to their shooting needs. Lighter, smaller proxy video files can also be recorded while shooting 8K.
The EOS R5 C camera supports RAW output via HDMI and ProRes RAW recording with compatible external recorders such as Atomos devices. By connecting the EOS R5 C camera with a supported external recorder, users can shoot in Apple ProRes RAW at up to 8K30. Proxy data can also be simultaneously recorded to an SD card in-camera, providing efficient post-production operations.
Contact us for delivery in Muscat, Oman and in Dubai, UAE.
Imaging
| Lens Mount | Canon RF |
| Lens Communication | Yes, with Autofocus Support |
| Sensor Resolution | Actual: 47.1 Megapixel Effective: 45 Megapixel (8192 x 5464) |
| Sensor Type | 36 x 24 mm (Full-Frame) CMOS |
| Crop Factor | 1.6x |
| Pixel Pitch | 5.5 µm |
| Image Stabilization | Digital |
| Built-In ND Filter | None |
| Internal Filter Holder | No |
| Capture Type | Stills & Video |
Exposure Control
| Shutter Type | Electronic Shutter, Mechanical Focal Plane Shutter |
| Shutter Speed | Mechanical Shutter 1/8000 to 30 Seconds Electronic Front Curtain Shutter 1/8000 to 30 Seconds Electronic Shutter 1/8000 to 0.5 Seconds |
| Bulb/Time Mode | Bulb Mode |
| ISO Sensitivity | Photo 100 to 51,200 in Manual Mode (Extended: 50 to 102,400) 100 to 12,800 in Auto Mode (Extended: 100 to 51,200) Video 100 to 51,200 (Extended: 50 to 102,400) |
| Metering Method | Center-Weighted Average, Evaluative, Partial, Spot |
| Exposure Modes | Aperture Priority, Manual, Program, Shutter Priority |
| Exposure Compensation | -3 to +3 EV (1/3, 1/2 EV Steps) |
| Metering Range | -3 to 20 EV |
| White Balance | 0 to 0K Presets: Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Tungsten |
| Continuous Shooting | Mechanical Shutter Up to 12 fps at 45 MP for up to 180 Frames (Raw) / 350 Frames (JPEG) Electronic Shutter Up to 20 fps at 45 MP for up to 83 Frames (Raw) / 170 Frames (JPEG) |
| Interval Recording | Yes |
| Self-Timer | 2/10-Second Delay |
| Internal Recording Modes | Raw 12-Bit DCI 8K (8192 x 4320) at 23.98/24.00/25/29.97 fps [2600 Mb/s] AVC-Intra/AVC-LongG/XF-AVC 4:2:2 10-Bit DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/59.94/100/119.88 fps [160 to 810 Mb/s] UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/119.88 fps [160 to 810 Mb/s] 1920 x 1080p at 23.98/25/29.97/50/59.94 fps [50 to 310 Mb/s] 1280 x 720 at 50/59.94 fps [8 to 12 Mb/s] AVC-LongG/MP4 4:2:2 10-Bit DCI 8K (8192 x 4320) at 23.98/24.00/25/29.97 fps [400 to 540 Mb/s] UHD 8K (7680 x 4320) at 23.98/25/29.97 fps [400 to 540 Mb/s] DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94/100/119.88 fps [100 to 225 Mb/s] UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/119.88 fps [100 to 225 Mb/s] DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps [35 to 50 Mb/s] 1920 x 1080p at 23.98/25/29.97/50/59.94 fps [35 to 50 Mb/s] 1280 x 720 at 50/59.94 fps [8 to 12 Mb/s] AVC-LongG/MP4 4:2:0 8-Bit DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94/119.88 fps [100 to 225 Mb/s] UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [100 to 225 Mb/s] DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps [35 to 50 Mb/s] 1920 x 1080p at 23.98/24.00/29.97/50/59.94 fps [35 to 50 Mb/s] 1280 x 720 at 50/59.94 fps [8 to 12 Mb/s] Raw/Cinema RAW Light 8192 x 5464 at 23.98/24.00/25/29.97/50/59.94 fps [1030 to 2570 Mb/s] 5952 x 3140 at 23.98/24.00/29.97/50/59.94 fps [544 to 1360 Mb/s] 2976 x 1570 at 23.98/24.00/25/29.97/50/59.94 fps [138 to 344 Mb/s] |
| External Recording Modes | 4:2:2 10-Bit via HDMI DCI 4K (4096 x 2160) up to 59.94 fps UHD 4K (3840 x 2160) up to 59.94 fps |
| Sensor Crop Modes | Super35 / APS-C 5952 x 3184 4096 x 2160 3840 x 2160 Super16 2976 x 1570 |
| Gamma Curve | Canon Log 3, HDR-HLG, HDR-PQ, Rec709, Rec2020 |
| Recording Limit | Unlimited |
| Broadcast Output | NTSC/PAL |
| IP Streaming | None |
Still Image Capture
| Image Sizes | 3:2 JPEG / Raw 8192 x 5464 5088 x 3392 3:2 JPEG / Raw 8192 x 5464 5808 x 3872 4176 x 2784 2400 x 1600 4:3 JPEG / Raw 7280 x 5464 5152 x 3872 3715 x 2784 2112 x 1600 16:9 JPEG / Raw 8192 x 4608 5808 x 3264 4176 x 2344 2400 x 1344 1:1 JPEG / Raw 5456 x 5456 3872 x 3872 2784 x 2784 1600 x 1600 |
| Aspect Ratio | 1:1, 3:2, 4:3, 16:9 |
| Image File Format | C-RAW, HEIF, JPEG, Raw |
| Bit Depth | 14-Bit |
Interface
| Media/Memory Card Slot | Slot 1: CFexpress Type B Slot 2: SD/SDHC/SDXC (UHS-II) |
| Video I/O | 1 x Micro-HDMI Output |
| Audio I/O | 1 x 1/8" / 3.5 mm TRS Stereo Mic/Line Input 1 x 1/8" / 3.5 mm TRS Stereo Headphone Output |
| Power I/O | 1 x USB-C (9 VDC at 3 A) Input |
| Other I/O | 1 x USB-C (USB 3.2 / 3.1 Gen 2) (Shared with Power Input) |
| Wireless | Bluetooth Control 2.4 / 5 GHz Wi-Fi 5 (802.11ac), Wi-Fi 4 (802.11n), Wi-Fi (802.11b/g), Wi-Fi Video Output, Control |
| Global Positioning (GPS, GLONASS, etc.) | None |
Monitor
| Size | 3.2" |
| Resolution | 2,100,000 Dot |
| Display Type | Free-Angle Tilting Touchscreen LCD |
Viewfinder
| Type | Built-In Electronic (OLED) |
| Size | 0.5" |
| Resolution | 5,790,000 Dot |
| Eye Point | 23 mm |
| Coverage | 100% |
| Magnification | Approx. 0.76x |
| Diopter Adjustment | -4 to +2 |
Focus
| Focus Type | Auto and Manual Focus |
| Focus Mode | Continuous-Servo AF, Manual Focus, Single-Servo AF |
| Autofocus Points | Phase Detection: 1053 |
| Autofocus Sensitivity | -6 to +20 EV |
| Built-In Flash | No |
| Maximum Sync Speed | 1/250 Second |
| Flash Compensation | -3 to +3 EV (1/3, 1/2 EV Steps) |
| Dedicated Flash System | eTTL |
| External Flash Connection | Hot Shoe |
Environmental
| Operating Temperature | 32 to 104°F / 0 to 40°C |
| Operating Humidity | 0 to 85% |
General
| Battery Type | Canon LP-E6N |
| Tripod Mounting Thread | 1 x 1/4"-20 Female (Bottom) |
| Accessory Mount | 1 x Intelligent Hot Shoe |
| Dimensions (W x H x D) | 5.6 x 4 x 4.4" / 142.2 x 101.6 x 111.8 mm |
| Weight | 1.5 lb / 680 g (Body Only) 1.7 lb / 770 g (With Battery, Recording Media) |
Packaging Info
| Package Weight | 3.205 lb |
| Box Dimensions (LxWxH) | 9.7 x 7.8 x 7.5" |
Canon EOS R5C Mirrorless Cinema Camera |
